Atlanta Movie Times.com
Movie times, movie theaters, movie reviews
Movie Theaters
Atlanta
Austell
Chamblee
Decatur
Lithonia
Marietta
Morrow
Norcross
Riverdale
Stone Mountain
Tucker
Michael's Profile
Recent reviews
22 Reviews
Watching L.A. take a beating is always refreshing, and there are some scenes here that are absolutely high art: a lovingly detailed sequence of downtown L.A. wobbling on all sides of a mile-deep fissure in the earth, the skyscrapers dancing around its brink or keeling over in slow faints. A limo scoots around these twisting monoliths trying to get to a comfortable cruising altitude; meanwhile, the unquiet earth rises up on both sides of the escarpment until it's a crescent-shaped motif. Then, concrete advertising sign for Randy's Donuts wheels through the chaos. Being Roland Emmerich, the director must cut away from this splendor to John Cusack, his ex-wife Amanda Peet and his family, and the ex-wife's new squeeze, an expendable plastic surgeon (Thomas McCarthy). The ensemble pulls the appropriate sorrow-and-the-pity reactions to all the destruction we have been giggling at. This is a film of sequences and of wildly uneven tone. Boring family bonding is enlivened with riding around the chaos in ever-larger vehicles: from stretch limo to a private plane to the world's largest fixed-wing aircraft. The film balances out its straight-faced idiocies with conspiracy and rich creeps; the Queen of England, Angela Merkel and the prime minister of Canada are among the plotters. The film soft-pedals the spiritual mumbo-jumbo, except for a Tibetan lama performing the ancient Zen proverb about the too-full cup.
Richard von Busack from Metroactive.com